Kategorie-Archiv: Exhibition

09.03.21 @ Akbank Sanat Istanbul

Before it´s too late, Video, 2 channel Audio © Laura Mello 2021

I was invited to take part of the second edition of the Dystopia Sound Art Festival in the Akbank Sanat​ Building​ in Istanbul, between​ March 9th – June 15th, for what I created a new work entitled “Before it´s too late”.

Weiterlesen

Oct 13 2020 @ Museo Reina Sofia

Cover Art by Karen Tortato & Wendelin Büchler

One of the tracks from my 7″ Double Groove Vinyl Ringing Still Life will be part of the Exhibition Audiosphere at the Museo Reina Sofia in Madrid. The exhibition dates have been rescheduled due to covid-19 and it will run from October 13th 2020 until January 11th 2021.

26.06.20 @ Errant Sound

Andrei Cucu for AARC#1-TORTU

© Andrei Cucu

1. AARC#1 — TORTU  is a three-day exhibition at Errant Sound combined with an event with performances and presentations at Apartment Project

Artists: Emre Birişmen, Andrei Cucu, Melih Sarıgöl & Laura Mello, Oliver Möst, Özlem Sarıyıldız & Bora Yediel, Çiğdem Üçüncü & Steffi Weismann

Weiterlesen

30.06.18 @ Taxispalais Kunsthalle Innsbruck

Taking part at Nicholas Bussmann´s solo show

Taxispalais Kunsthalle Tyrol Innsbruck
30.6.18:00-20:30
1.7. 15.00-18:00
Sandbox game with Nicholas Bussmann, Philippe Cerf,
Lucile Desamory, Yusuf Ergün, Michael Guggenheim, Margareth Kammerer,
Rudi Katholnig, Rico Lee, Laura Mello, Eduard Mont de Palol,
Konstantin Schimanowski, Simone Schönett,
Aaron Snyder and Helga Utz

27.01.18 – Windows far away: inner sound

São Paulo – BR by Mariana Carvalho

São Paulo by Mirian Steinberg

MA, US by Karen Werner

as part of transmediale Vorspiel 2018 – Fernblick

27.01.18 18:00 – 22:00

@ Errant Sound – Kollwitzstrasse 97 Weiterlesen

18.-20.05.17 In the Sound Field #1 @ Errant Sound

Rosa dos sons

Rosa dos sons © Laura Mello

Rosa dos sons / Sound compass
(Spaces #2)
Galerie Errrant Sound
Kollwitzstrasse 97
10435 Berlin
18.5. 18.00 – 21.00
19.+20.5. 15.00 – 20.00

Sound installation of filed recordings from:
Sound stops / Sound walks / Interventions in sound fields
Instalação sonora a partir de gravações arquivadas de:
Paradas sonoras / Caminhadas sonoras / Intervenções em campos sonoro

Since 2009 I have been documenting the soundfield in and around my appartment in Berlin. How much and which kind of information is in a field recording documentation? For instance: how much of a sense of space, direction and/or of time (daytime, year season) can one take from field recordings? Is this perception reality or imagination? Past or present?

More about Rosa dos Sons here

 

 

 

 

28.01.17 Vorspiel Berlin @ Errant Sound

Field recording as personal practice

28.01.2017 15:00
Vorspiel Berlin Event

Field Recording as a Personal Practice

Artists of the Errant Sound Group will share field recordings from their archives and will talk about in which way their personal practise is related to and shaped by recording enviromental and other sounds. Different aesthetic and artistic approaches and strategies with recordings “in the field” will be discussed.

With: Mario Asef, Peter Cusack, Thom Kubli, Laura Mello, Kirsten Reese, Antje Vowinckel, Jeremy Woodruff

Golo Föllmer, Moderator

Errant Sound
Kollwitzstrasse 97
10435 Berlin
https://errantsound.wordpress.com

Sep 16 – The language is the text – Installation @ Errant Sound

Language Framework

 

My installation The language is the text – Language frameworks (german name “Sprachgerüste, Sprachgelüste” can be seen at Errant Sound Project Art Space in the Exhibition Sound Matters or: what to do with the money, during the Berlin Art Week, 13th – 18th September

BerlinArtWeek_Logo

Release: Audio Field Report nr. 39

Audio Field Report nr. 39Interview with Laura Mello by Knut Remond

Limited Edition – 8 Cassetes

Available at Ohrenhoch

 

20. and 27.12.15 Sound Installation

Sprachgerüste, Sprachgelüste @ Ohrenhoch

StrukturSchattenDer ganzheitliche, undurchdringliche, unsagbare Sinn stünde jedoch in der Ferne wie eine Fata Morgana und würde aus der Stimmübung eine zweifache, mit einem “Hintergrund” versehene Landschaft machen; statt daß die Musik der Phoneme den “Hintergrund” unserer Mitteilungen abgibt (wie dies in unserer Poesie geschieht), wäre hier der Sinn der Fluchtpunkt der Lust.”

Roland Barthes in Das Rauschen der Sprache, Suhrkamp, Frankfurt am Main, 2005. Weiterlesen