27.01.18 – Windows far away: inner sound

São Paulo – BR by Mariana Carvalho

São Paulo by Mirian Steinberg

MA, US by Karen Werner

as part of transmediale Vorspiel 2018 – Fernblick

27.01.18 18:00 – 22:00

@ Errant Sound – Kollwitzstrasse 97 Weiterlesen

29.12.17 00:05 @ Deutschlandfunk Kultur – Singing Yesterday´s News Again

Me and Nicholas Bussmann @ Deutschlandfunk Studio in Savvy Contemporary


By Natascha Sadr Haghighian and Nicholas Bussmann

With the Cottbusser Chor: Laura Mello, Lucille Desamory, Margarete Kammerer, Aaron Snyder, Eduard Mont de Palol, Rico Repotente, Yusuf Ergün

On the night from 28th to 29th of december (29.12.17 00:05) on Deutschlandfunk Kultur and worlwide on the internet. Weiterlesen

21.09.17 @ Paraflows Wien – Piano Body Logic Visual

© C. Profanter

Piano Logic Body Visual ist eine Performance für Klavierspielerin, 4-Kanal Elektronik und live-Video, eine kontinuierliche Recherche von der Performerin Laura Mello, wo die visuelle Wahrnehmung des eigenen Körpers als Impuls für die Komposition für Klavier, Stimme und Elektronik verwendet wird.

21.09.17 @ Garnisongasse 7 1090 Wien

26.08.17 19:00 – 20:00 @ Datscha Radio


If you missed it: you can listen to the recording on soundcloud. See also some pictures below.

Living Radio goes Datscha Radio 2017

Living Radio is an unconventional audio guide, a live Hörspiel, a mixture of reality and imagination, where the visual is filtered through the aural. (in the following languages: PT-BR, DE, EN, ES)

Living Radio is an ongoing project by Laura Mello. The artist investigates the area around the Datscha, and speaks her observations, impressions, fantasies into a (wireless) microphone. In this version for Datscha Radio, the material from this live Audio Guide is combined live with Lauras pre-produced and live-processed sounds.


18.-20.05.17 In the Sound Field #1 @ Errant Sound

Rosa dos sons

Rosa dos sons © Laura Mello

Rosa dos sons / Sound compass
(Spaces #2)
Galerie Errrant Sound
Kollwitzstrasse 97
10435 Berlin
18.5. 18.00 – 21.00
19.+20.5. 15.00 – 20.00

Sound installation of filed recordings from:
Sound stops / Sound walks / Interventions in sound fields
Instalação sonora a partir de gravações arquivadas de:
Paradas sonoras / Caminhadas sonoras / Intervenções em campos sonoro

Since 2009 I have been documenting the soundfield in and around my appartment in Berlin. How much and which kind of information is in a field recording documentation? For instance: how much of a sense of space, direction and/or of time (daytime, year season) can one take from field recordings? Is this perception reality or imagination? Past or present?

More about Rosa dos Sons here